"The Chinese Medium Opera Exhibition is witnessing the creative transformation of youth drama people, innovative development, which is the presentation of the dynamic energy of the new era.
"The Party Secretary of the Shanghai Drama Art Center, the president, the president, is like it.
From the Chinese Drama Association, Shanghai Drama Art Center, the Chinese People’s Pub District Committee Propaganda Department, and Wenhui Daily, the "2021 Chinese Medium Opera Drama" held from today to 16th, more than 10 small theater opera works will concentrateUnveiled.In 2015, the "Shanghai Triad Drama Festival" is born, this year is the third year of "Drama Festival" is upgraded to "National Flock".
327 declared repertoires, nearly 70 performances, the gratifying numbers are the growth and experience of the platform for seven years.
Exhibition platform, hatching base, practice place, "China Triad Drama Exhibition" body and several jobs, providing a good opportunity for the national youth drama talent, a group of outstanding works are also from Shanghai to international. At the same time, this year’s performance site extends from the Yangtze River Theater in the Core of Performance World to Wanping Theater, helping Shanghai to become a good drama and opera transmission terminal, further polishing "Shanghai Culture" brand.
Constantly absorb new members, how high is the creation of the creation of the national small theater drama? In the declaration data of the show, this year, this year, a total of 96 works from 20 provinces and cities across the country have received 41% from the country, and the number of reperters rose by 41%. The declaration has more than 40, and the first appearance is close to the list. 20, such as the Chinese Opera, Pu Opera, Shangdra, Yao Opera, Chao, Qingyang cavity, drama, drama, Drama, bowl bowl, Tang Drama, Linxian Road, Sichuan North Light Opera, Lu Opera, Shengzhou Opera , Pilots, etc.. In the end, the Peking Opera "The Death" "One Altar", the "White Rober", the Huairara "Xiu Cai · Court", the "Powder", Pu Ou "O’Ded", Cantonese Opera "Jinlian" "Mr. Wongar", "Mr. Chinese", Henan Opera "Nan Huasheng", Liyuan Opera "Chen Sanfu Niang" is selected, of which the bus is the first time. As one of our ancient scorpion cavity, Pu drama cavity is urgent, ups and downs, longer than expressing generous emotions, paying attention to work, and make good use of stunts. This is a shunning, and the Pu opera brings a surprising work – "O’Ded". Adapt from the ancient Greek tragedy "Oedipus King", the repertoire from the stage performance style, broke through the traditional drama time and space concept, while retaining the original "lock" structure, the local chemical resolution, and the ingenious maintenance drama plot and rhythm Unity and coherence. In the plot, the work diluted the myth color in the original, and the exaggerated technique led to the inner cause of the tragedy, that is, all the character’s character defects, the way of thinking, and the mutual influence of the behavior. A similar bold stage exploration can be seen in this exhibition: Peking Opera "The death of Xiaomong" is blue in the form of Chekhov’s short story "small civil servants", using the form of literary books, with comedy小 小 余 心 心 微 的 小 人 的 小 心, 乐 师 对 对 对 对 州 州 州 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙 诙,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, The comedy atmosphere; Source Since Chen Zhongshi, the Huangmei Opera "Mr. Blue Right" is a flexible performance style, joining the popular music elements in the traditional music of Huangmei opera, showing the changing life of the protagonist, "Nanhua Jing" is "Zhuangzi" The drum basin "and" big hi ", according to the aesthetic principle of drama minimalism, return to the tradition of the drama table, with traditional programming maps, the people’s emotions, the fresh blood, youth opera people "As a national platform" as the only opera small theater, the exhibition has had a huge impact in the country. "Cui Wei, secretary general of the Chinese Drama Association, said" "" " Demand, show the accumulation of actors, the audience’s gratifying scenes, providing a good window for the traditional drama culture.
"The innovation of contemporary drama is inseparable from the participation of young drama people, they are always a beautiful landscape.
According to Lu Su, the Opera’s "One Altar of Jin", the play is 80 from the actor, director, stage, and singing chamber, after 90.
At the small theater, the stage is small, the master is minor, but the work is presented and the opera configuration is definitely not horses. Take the "one altan gold" as an example, although there are only five actors, but covers the net is ugly, the genre also includes "派" "words" and "Zhang Pai". The script is also very innocent. From the history book "Qiansheng", it is inspired. When Fan Zhongyan is less than reading a book in the Quanquang, I found a gold in the temple, but he didn’t make the story of the money, showing the Northern Song Dynasty The minister is not familiar with people. What is worth paying attention is that the more hot fever of the show also drives the enthusiasm of the creation of the opera. Youth Screenplay Quarter has participated in the three sessions, and every time you have a new creation.
This year, she continued to bring their kind of female theme works, and shaped the three-dimensional image of "one of the four beautiful women in ancient China" with the "Beauty" of Huangmei Opera.
At the same time, the "White Robweed" "White Robweed" to create an nearly half of the year will be given to the presentation.
"One encounter, two pieces of robs, there are no things under the sun", in the case of the old script, in the case of the previous situation, the Temples of the Tuen Time is not easy. In the director Ding Wei, the small theater opera is no longer a narrative as the main goal, but in a series of fragments, the audience will resonate. The new work is from the perspective of Xu Jizu, focusing on his 彷徨 and struggle between the situation and the law. "The activities of the Chinese Medium Opera Drama, youth drama people and youth audience are becoming the main practitioners developed by the drama," Guigi said. Continuously closer to the audience group is always one of the purposes of the show. As the performance opened the curtain, the "Drama Baby" WeChat expression package of Shanghai Drama Art Center is also on the line, trying to target the Z generation audience to more Lively and playful way to introduce traditional drama – with cartoon image of various colors, vivid interpretation "watching" "I am also" "good" "say" says that it is can’t help.
(Reporter Wang Yili).